Introduction：Cultural exchange is not only an important condition for the progress of world culture, but also the inherent requirement of promoting cultural globalization and diversity. China's government one belt, one road and the destiny of mankind, has been put forward to promote exchanges and pluralistic development of culture and art in the world. It has set up a bridge of friendship for the world's artistic talents.
Pan Xinming, born in 1942, was born in Huayin, Shaanxi Province. Former Chinese diplomat. At present, he is a national first-line German art master and art consultant of China network information station; honorary chairman of China National ritual Art Center and artist Runge net; senior art consultant of the Royal Academy of Arts in Britain and Sweden, Chinese academician and chief artist of the Royal Academy of fine arts of France; member of the new era China literature and Art Development Working Committee and Selection Committee of new era literary and art leaders in 2019 They will be awarded "literary and art leaders in the new era". In 2020, the Ministry of culture and tourism of China awarded the honorary title of "trans era art model master"; the China Internet Alliance released that Pan Xinming, the top figure of all walks of life in the world in 2020, was broadcast by many media such as global people.com.
In his more than 50 years of brush and ink career, he inherited the motherland's traditional calligraphy art foundation, collected ancient and modern shows, integrated new era, new ideas, new content and other elements, showed ingenuity, and explored his own creative thinking, method and path of calligraphy and poetry art. His calligraphy works are superb, with the image beauty of clouds and smoke all over the paper, and the strength is higher than the reputation. His works have won many awards China's highest award for lifelong achievement in culture and art, National Award for innovation in cultural heritage, world art Lifetime Achievement Award, Gold Award for the Third World Culture Award, etc. Many authoritative media or cultural and art institutions broadcast, and have been rated as the top ten palace level artists, the top ten national treasure level artists, people's artists, and art masters. A number of calligraphy works were selected and included in the eight person collection volume of "classics of Chinese classics", "master style", "world art masters". He has published Zhou Enlai's handwriting dictionary and pan Xinming's Anthology of rhymes.
Using poetry to enrich books, literati freely write about Jin rhyme
——The famous calligrapher pan Xinming
Since ancient times, calligraphy is an integral part of literati's self-cultivation. Literati regard calligraphy as a small skill and articles as a matter of ages. Mr. Pan Xinming's cultural cultivation is based on the traditional way of poetic books. Behind his status as a calligrapher, he is still a real scholar who can write poems and books. He writes metrical poems with strict tone, neat antithesis, fresh and elegant style and pleasant reading. With his excellent poetry culture, his calligraphy has been infused with the charm of literati's calligraphy. He can write freely, such as chasing idle clouds, or apricot blossoms in spring. His calligraphy is a top-grade grass with flying and vivid expression!
His calligraphy is very good at learning from the literati in Jin Dynasty. Zhao Zi'ang got Wang Xizhi's Lanting xudingwu rubbings. He was infatuated with the technique of writing. After 60 days' hard work, he realized the essence of the calligrapher's writing technique, so he lamented that it was not easy to use a pen for ever. Although he didn't directly explain this difficult method, the free and easy impression of Jin people's calligraphy in the middle line is the core of the difficulty. Zhao Ziang's calligraphy, because he obtained the secret of the performance of this technique, has become a master of calligraphy and has been handed down for thousands of years.
Mr. Pan Xinming's calligraphy works are also ingenious, which vividly express the free and easy intention of entering the middle line. The dragonflies skimmed the Pinghu Lake and slightly moved. Touch the paper, quickly turn to the center, impartial, written in the middle of the paper. In the process of experiencing this kind of brushwork, his calligraphy also wrote the free and easy implication of the two Jin Dynasty's calligraphy, making it easy to turn, lifting, pressing and beating, elegant structure, and paying attention to the change of ink color and charm. Therefore, the beauty of lines and rhythm of calligraphy win-win situation, creating an aesthetic impression of walking style and singing. It is not rigid, changeable and illusory. It is full of vitality to change it into ink. It is indeed a profound practice of cursive script.
If you look at a piece of his calligraphy, its meaning must be interlinked with that of poetry. The realm of calligraphy writing is to express the happy feelings of a poem, and the cultural atmosphere overflowing from it is striking and moving. He takes the responsibility of inheriting the essence of traditional calligraphy culture. He absolutely does not write about the style of rivers and lakes with coarse head and rotten clothes, nor the creation of exhibition style. Instead, he writes about the nature of letters and letters. He is free to write his heart, which is not exciting, not harsh, flexible and appropriate, and pure culture. It can be written in eight directions to write towering, but also can be hidden back to the front to write introverted, with strength, with momentum show strange, in the beautiful style, there is no lack of majestic capital feelings. The main style of calligraphy is to express the cultural flavor of boyuantie. The combination of heart and pen, I write my heart, is the high-energy realm of calligraphy culture promotion, so his calligraphy does not deceive others, merits do not deceive the world, the artistic value determines the collection grade, and has become the mainstream of the collection industry.
He wrote the rhyme of Jin Dynasty freely. The calligraphy of Jin Dynasty is the peak. Mr. Pan Xinming imitates the two kings persistently, and his achievements are distinct. Therefore, his calligraphy built the core of the literati character of Erwang's calligraphy, forming the core of the era of the authentic cultural inheritance of calligraphy. With the responsibility of the times, he integrated calligraphy into the thought and fashion of the times. The beauty of lines with simple meaning was created by white and black, and the space impression was beautiful, with beautiful charm and flying spirit. The two wheel drive of inheritance and innovation enables him to climb to the peak of calligraphy culture!（Famous critic: Pastoral）